lance is back at it again. deep naked music vibe n house with sub-aquatic atmosphere and heavenly grooves. diving low end that pushes subtle melody and fill the bottomless void that lance is infamous for creating. heavy uk vibe on the production that touches upon 16b, odori, and charles webster. siesta leading the pack once again.

coma - the cologne based duo marius bubat and georg conrad have grown in leaps and bounds since their 2008 debut for firm recordings. since then, they have followed with highlight contributions to the last two total series and of course their acclaimed single crystal (kompakt 199) - both of which were released on kompakt. their live shows have established the act as a leading duo locally not to mention earning them fans across europe and asia. on famous , their new 12 for kompakt, we see coma embrace the art of melody and warmth more so than in past releases - an endearing maturity that you hear thoughout this gorgeously produced ep . starting off with playground altona - coma bring their techno/house euphoria to new levels in shimmering bath of disco glow. the ambient warmth of fameless succumbs to a floating bass kick as the sound of children play in the background. as raindrops fell outside of the studio - the boys used it as inspiration for raindrops - a sure winning track on this single as a familiar voice carries you amongst a severely catchy rhythm. a set ender of all set finales

this is the third 12-inch for panacustica, delivering a deep, atmospheric ambient track by cosmic metal mother: >zen locomotive<. as soon as the needle drops onto the vinyl, a train sound emulated by a moog transports us through a gentle melody consisting of moods and textures created by uneven loops of sustained sounds, suggestive of a scenery from a train window in full speed, where color shades melt as well as time and space exactly like the music, an intense trippy and esoteric journey.

french hard techno king greg notill back in his favourite roll as king cannibal! teaming up with barbers & slugos he is ready to destroy some fresh meat. leaving it half dead after he crushes your skull with his devastating bass drums. no need to boil, greg loves his meat raw to the bone.

b.h.f.v is the collaborative effort of arto mwambes cb funk and the live at robert johnson label manager oliver hafenbauer. originating from a cross-pollination of graffiti, train stations, red light districts and frankfurts club music roots, et 01 and et 06 are both all that those x-men and egyptian lovers ever wanted. two tracks, one sound. blueeyed electro-funk with sharp snares, jeep-boomin bass and haunting melody lines. retro fascists beware! this aint a historically correct or nerdy carbon copy, but a blast from the futures past. fresh as champagne morning dew. hip hop be bop.

dj ageishi is like the sensei of japanese djs: a true legend and active since 1973, he can scoop from an incredible musical wealth of experiences yet has his ear to whats happening in the now. this mixture of knowledge and curiosity for the new also characterizes his debut on internasjonal with colleague dj akin, who left his mark outside of japan with a remix for brennan greens >900lb man<. rattling drum breaks from the funk end of disco are the backbone for a soprano sax lick slightly remiscent of coltranes >a love supreme< that floats on top of noise distortet sheets of synth before the >rain parade< makes a total turn ending with a comforting lullaby like rhodes melody. prins thomas boils it all down to a simmering slow dub remake, while mark e lets all the single ingredients patiently lets every ingredient from the original develop its full-bodied flavour before kicking up the heat.

d1 has once again come up with the goods, and delivered two brilliant old skool-influenced dancefloor tracks. >flood of emotions< featuring renowned vocalist jenna g, showcases d1s trademark melodic sensibility, while maintaining the tough drums and purebass pressure that makes uk bass music so exciting and impactful. driven by a classic hardcore break, the track penetrates right through you while the uplifting melody, complimented by jennas vocals, washes over you beautifully.

its a lonely business, bringing the piano into the 21st century.
barcelona-based francesco tristano is establishing himself as one of the most original and eclectic musicians of his generation. trained as a classical pianist and having recorded a number of classical albums, francesco broke new ground with >not for piano<, the album that launched the french label infine in 2007, containing his compositions as well as acclaimed piano versions of detroit techno classics of >strings of life< and >the bells<. francesco teamed up with detroits own carl craig for a remix of >the melody<, and, subsequently, project versus (featuring symphony orchestra and moritz von oswald) as well as the legendary innerzone orchestra (as pianist, keyboardist and arranger).>idiosynkrasia<, francescos latest album on if, was recorded and mixed at planet-e communications detroit.
comes with code for free mp3 download.

accompanying the debut lp remix ep number 2 straddling the realms of dubstep, house and disco from an ever emerging pool of old and new guard. remixes on the dub orientated ep with mark e, session victim and riley reinhold. duffsteps debut album >getting to sirius< is a heady potion laced with influences of dub and down tempo beats, winding through layers of melody and synths whilst vocals soften the blow providing a nice, warm and fuzzy edge to the thick slabs of sonic concrete. though you wont have to wait before a nice big bass-line knocks you down on your arse again

matthew styles remixes one of fofs biggest releases of 2010. never straying far from the source material, matthew wraps things up in his usual tight production style, employing a live bass sound and elements of the original melody to give things a tripppier edge than the originals straight up dance floor leanings.
on the flip and walking that fine line between house and techno, blm turns in a very fine and contemporary remix of drake and griifiths >the devils eyes<. dystopian in its outlook, the remix drives along with a simple but full bassline with plenty of dancefloor power.

oslo says hello to 2011 with a great ep again from one of the best electronic producers at the moment, guillaume & the coutu dumonts. we all know his eps on oslo, so we can be sure that he will not dissapoint. on the a side we find >praise to the beat maker< an amazing track with lyrics by dave aju, you will never take this track out of your mind. the rhythm is 100% guillaume. the second track of the ep >promess-lovin< gives the main melody to the release, and with some female vocals remains us one of the best old school house periods. the last track >all you have to do< is a very slow and musical track, wich keeps the line of the ep and at the same time add something different.

alen has signed on one of the most important electronic music labels in the world, pornographic recordings and 1605 music therapy, plus more than 15 more labels. its difficult, almost impossible do categorize his music. its very fresh and experimental. it has old school flavor with new and contemporary beats. its techno/tech-house with funky touch, psychedelic sounds and relentless groove. melody mixed in raw power of techno. his tracks are supported, played and charted by djs and artists like: cristian varela, carl cox, john acquaviva, umek, laurent garnier, marco bailey, secret cinema, josh wink, claude young, marko nastic, dave the drummer,joseph capriati, jon rundell, olivier giacomotto, tom hades and many more

phoreski, who was the first ever remixer for iib returns to remix >electric sunburst< from the harlyn bay lp, creating a heads down dirty balearic slo-mo basement monster as only he can. next up is tony watson from adult contempory / la who remixes >pacific breeze< adding a touch of west coast b-boy flair. peter visti takes on the not-yet-released track >childhood melody< creating an epic balearic journey starting fairly uptempo before changing gear to groove along at a more leisurely slomo speed. top quality as always. finally, and proving the boys have the jump on tomorrows stars early, the amazing & much sought after aeroplane rework of >too hard<, originally released in 2007. another all round top package.

dokument .01 features two tracks of beatless inner city industrial ambient. >strung valve checkout< is a gorgeous 11 minute sequence of piano-fuelled drones. >dada fish sticks< is equally affecting, a lulling industrial classical mesh of sound with hints of melody. what makes this release particularly special is the combination of talents behind the music. dadavistic orchestra is a collaboration between the black dog and 3 former members of the psychick warriors of gaia. both are recognised innovators in electronic music who have been hugely influential and popular throughout their careers. the two groups have been close for many years, and their musical collaboration has evolved over the last year, with dokument 1 being just the first work to be released.

eminor 29 again comes up with massive minimalist techno.
coeter one & dubit - granatapfel - bring together a german and an italian sound designer and you get an experimental mixture of drums and carefully quantized grooves. the minimalistic framework of >granatapfel< is teamed up by vocoded vocals and an unique break which leads majesically from confusion to musical order.
scalameriya - ridley - by the serbian techno-guru scalameriya has a fast and pushy bass-dominated rhythm, an almost factory-like precision and a compulsive eye on the floor.
granatapfel - re:axis s going down remix - the remix of portuguese duo re:axis is less stripped-down than the original. with its thrilling melody, re:axis manage to give the track an epic touch.

shadow sync are back with their latest true techno, full analog release on krd. poles is marked by a percussive sound which despite its inharmonic character yet keeps a trace of tuning making it similar to a voiced percussion. this main sound is arranged to form a sort of pseudo-melody determined by the different intensity, lenght and color of the reverb tail. the 909 delivers both the drum line and the bass line, realized using the tom section. the background is populated by friendly, ceaselessly mutating sonic organisms. magnetic fields is a train rolling through dark, post-industrial landscapes. its built around a drastically eqed 909 tom, a nervous echoed clap and a cross-rhythmic, 3 against 4 hypnotic bass line which evolves in a bell-like sound towards the pause. the atmosphere is saturated with sound vapors and the temperature is dangerously high: play at your own risk!

the first release for consequence and joe sevens new alias they live is on dbridge & instra:mentals autonomic label. creeping in with a slightly haunting melody and sparse drums, >pure palms< starts off with little indication of where the track might lead, it feels as though it could go in any direction. as it slowly builds, the warmth and weight û and deep-set rhythms û that consequence is known for begin settling, and open up to an evocative, widescreen track of immense beauty.

contempt music production brings the next 12inch record to the headbangers with 4 unbelievable stomping hardtechno tracks. everybody of you know the brazilian combo >pet duo<, and now they are on cmp! two wonderful tracks full of pure energy will make the partypeople go crazy in the club! labelhead orman brings you his >cmp anthem< on this vinyl and show you one of the most beautiful melodys composed by himself! all in all this record is full of hard techno beats and 1 melody song

killekill002 comes from alex cortex solo. the a side track >tackle” is an old school minimalistic loop techno track with a weird bleepy melody inside. made for the late hours on big pas. b1 track >beach bass< is the hit of this record: a deep house number with a bassline that hits your heart immediately and makes you smile and want to dance. a house hit as it should be! b2 >boing boing< is an uncommon, strange electro track that rounds up this ep and shows the wide range of styles that can be expected from this label. alex cortex has been releasing electronic music of all kinds since 1996 on labels like source records, kanzleramt, klang elektronik, pomelo, platzhirsch and many more.

big with: massimiliano pagliara, cosmo vitelli, jonnie wilkes (optimo), nakion, 40 thieves, ajello, red rack em, the heels of love, matt (rvng), dj morpheus (tigersushi), fabrizio mammarella... from the beating latin heart of the modern disco world, discodromo join us for their first slow motion release and our third overall. with two original tracks and two stunning remixes this pair of cheeky italians first bring us the laid back charms of stars and rain featuring the vocal talents miss plug in. strutting funk and cascading synths are the order of the day on this taut laser workout. with a bitterest melody and relentless drums, this is a cinematic excursion into 10am disco music. miss plug ins blank eyed vocals are one part rimini, to two parts berlin giving the track a hazy, druggy feel that will work like magic on the even the most demanding dance floors.

the power of lauer is indisputable. blessed with the uncanny ability to make hooks that would make bone thugs-n-harmony jealous in their heyday, phillip lauer is – pardon us – the melody man. his newest tour de force comes in two parts for our beloved live at robert johnson label. similar sounding to the legendary harmonizer (as if you would care), h.r. boss is new- romantic -italo -not -italowave that puts love on top of love (i.e. the aforementioned melodies). wouldnt sound out of place in sophie marceaus notorious la boum walkman. forbidden fruit is the sweetest. a little less full-bodied, yet as disarming, banned goes straight ahead with its ripply bass line, wheezing strings, a killer arrangement that completely deserves the tracks name plus a groove that wont stop. feels like delta nrgs filthy little brother. delectable! put on your red shoes

we dont need to tell you that rolando is a figure synonymous with the roots of techno. regularly djing in berghain, his unique brand of techno and heavy electronic funk has continued to evolve naturally into the sound youll here today. on rolandos first 12inch for ostgut, we find two diverse tracks each shedding light on the different poles of his current sonic focus. ben klock featured both >de cago< and >junie< on his >berghain 04< mix, and now we can enjoy the full tracks in their own right. the proud heritage of >de cago< is clear from the outset, yet rolando works crisp modern drums and edgy acidic synths into the mix, resulting in a potent concoction of jacking, edgy technofunk. unapologetically raw and gritty - and all the better for it - is >junie<. introducing a different production methodology, this multi-layered half-tempo exploration into eerie harmonics and slow building passages is the latest incarnation of rolandos emotional and instinctive melody writing

being one part of the dj team kassette boys, ferri borbás aka superlover is widely known as m_ferri. he was raised in berlin and after the wall came down he got musically influenced enormously by the then arising techno culture of the mid 1990ies. his early productions have always mirrored the influences of the rough, industrial and dark sounding techno sound which was brought to berlin by artist like jeff mills, laurent garnier or joey beltram. simple, radical sounding and functional: tracks like his >tanzgenerator< or >open the watergate< had shaped these asthetics into a trademark sound. his latest superlover project is slightly shifting his musical coordinates : instead of a reduced and purely funtional >m_ferri sound< his new project presents a rather emotional and energetic mix of warm sounding rhodes pianos and string synthesizers. the three tracks of the e.p. combine those sounds earworm-like to catchy melody riffs and being the metamorphosis of a new disco influenced, poppy superlover sound

big with: luciano, loco dice, anja schneider, dubfire, laurent garnier, d julz, daniel sanchez, ryan crosson, simon baker, karotte, mathias kaden, danny tenaglia, stephan bodzin, coyu, tim green, julien chaptal, .. jay hazes bearly legal ep was such a success, but with just two tracks, our circle of producer and dj friends were asking us why we didnt release any mixes! well, ask and you shall receive... >no need for loops< was the original eps b-side, but with positive feedback and play from ewan pearson and ellen allien, weve decided this time to let it have the glory of a-side status with a top-notch rework from ilario alicante (cécille, tenax) who combines a busy, pulsating rhythm with the lulling undercurrent of melody for a hypnotic effect. >take your hat off< gets the remix treatment in the hands of several adept producers: first shaun reeves (wolf + lamb) and duo tale of us (barraca music) team up for a sly, seductive version, while amam label boss alessio mereu offers a punchy, revved up take to give the 12inch some welcome contrast.

>3.652 tage< : the track a day originated after my 10-year-old djs jubilee. from the mood of the eve, there originated thus the acoustics-percussion beat with emitter surfaces. >zeitfenster< : this track with miguel aka electric gloss, to a friend from portugal produced. he has visited me for two days in frankfurt, meanwhile we were diligent in the studio. the sound capes remind me of a typical summer thunderstorm. >eureka< : this number has something incredible for me. a kind of space-electro with quite futuristic melody. if somewhat is inspired by the film barbarella. unambiguously one of my favourites on the album.

the third and final remix package for mathias kadens masterpiece album -studio 10- comes along with two reworks of mathias vakant label mates onur Özer and dewalta. onur Özers >hâre remix<, a massive, bass driven rework for kadens >chazz<, takes the track to a deeper, more jazzy level, until it fades out with a dreamy yet abstract melody after 11 minutes and counting. david koch aka dewalta takes on >ikenga< (an african god of time, success and achievement), which is surely kadens most played track of the album. david maintains the acidic vibe of the original, adds his very own funk and sends the track back to the dance floor.

if god created men and if the ancestors of men are monkeys, then god was a monkey! this is asrs 3th release on simplex records. the original mix is one for the stronger bodies and minds, full of energy & power, balancing between dark crazy techno and solid minimal. the syncopated percussion is pivoting on the berghain based groovy sound. the melody is sparse and therefore a natural step in asrs evolution as a recording artist. the structure of this track embraces well placed developments and sonic changes. the sound of all tracks is coherent and vigorous hypnotic. asr hired minus artist jpls for a remix on the a-side. result is a typical jpls sound. abstract & subtracted. asrs friends, rising smallroom artist mike wall gives a dark dreamy mysterious point of view and japans tech & minimal talent shin matsura hits you straight in the face just like the original mix does. these two producers are the personnel on the b-side.

nice price deal !!! after more than one year slash co-owner ahmet sisman is back with his brand new solo ep! the playing with acid ep is an unapologetic combination of raw-deep techno and electro-pop influenced house music. and as we know it already from mr. sisman, he loves to combine different genres and create his own distinctive flavor! the a-side playing with acid is a pure synthie-baseline dominated track whose melody is drilling through your head that you won’t forget it so easily. this trapping hook line is coming along with some poppy vocals which are giving you a slight association how is it feeling being totally vaporized in the mind. we say, be careful when you playing with acid!!! feel today think tomorrow has a different approach while the ingredients remain the same. it’s the more melancholic side of this record but also filled with pure energy. the guitar phrases creating those feelings between the struggle and harmony in life, and like the title indicates: live today, pay tomorrow! no return no regret is the more poppy side of this record. the b2-side is a mixture of modern elements bonded with the refreshing vibe of the contemporary 80s influence. this fusion is a naive approach of pooling different styles in one track with the intention to create something timeless. even its poppy elements doesn’t seem to allow it we going to love it for a long time and we hope you will feel the same! this three-tracker ep contains the well known “mr. sisman-ingredients”. although the difference to his previous productions laying in its details. find it out for yourself and above all: enjoy it!!!

>les patates<, the fresh new rrygular release by tassilo, one half of pan-pot, is not an homage to french agriculture but a serious techno smasher with high club potential. at first, theres just a nice party atmosphere and … then this rough beat drops in! the small potatoe >petite patate< surprises by adding rudimental elements like the hihat and snare drum always a little late. but you have the feeling you havent missed something yet. this number just sneaks from behind and lulls you in with billowing pads until you sense the final rave sound as a self-evident consequence of it all. the message by g-tech right before the drop proves right - there is not a lack of vibration here! its all about the mixture … and in this case its just felicitous: male choir, clanking cymbals and finally the riff that this track subsists on. tassilo knows how to send the short melody-figure through the different stages of sound design, even though it might have been lively enough without it. this gives the big potatoe >grosse patate< a level of dynamic, that most contemporary techno releases just dont provide.

big with: dubfire, roberto rodriguez, mijk van dijk, karotte, kissy sell out, makossa, david durango, aga heller, franksen, dan mangan, greg churchill, louis osbourne,.. following the huge >human you< (moon033) the much loved disco bear ante perry returns in a double-trouble beatdown head-to-head with tube & berger.just pure and simply an anthem, >ever never< is the type of record that you know you ll love even before its started. drenched in melancholic synth pop melody, heart-warming bass lines and euphoric moments, this future classic builds to a real finale!stereofunk provide a techier remix that treads the colourful lines between disco, tech house and cosmic exploration! soaring synths and funking basslines combine in this italo-inspired treat for the dancefloor

dan ghenacia steps up with a stunning double solo offering with globe/ gentelized, a rare production offering from the parisian star, this time lending his brand of freakiness to cdr (crosstown digital rebels).globe takes you on a 3am dance floor journey, its steady, driving beats riding the swelling ambience of abstract melodic effects. psychedelic elements cry in unison, unravelling a blanket of swirling synths in descent and crescendo. gentilized finds its heart in heavy rolling bass and soothing sumptuous female cries. inspired by dans kwality years at batofar, this production oozes aquatic sonics and fluid chords, with deep and dreamy layers of percussion pouring over each other. forging an effortless groove in the bass and hypnotic sweeps of melody, this track is dan at his playful best. one of the undisputed pioneers of the parisian house and techno scene, dan ghenacias influence is undeniable. through his productions, revered freak n chic label now in its seventh year, notorious parties at batofar in paris and legendary residencies around europe including dc10 and space in ibiza, he has remained at the forefront of the scene for over a decade.

two more missives from the leng stable, a stable basking in late afternoon sunshine the whole year round. here we have two remixes of cantoma tracks. on side a is ray mangs remix of under the stars a subtle disco groove, with a sweet rolling bass and a languid horn line that gently eases into the back of your mind, luring you into a hypnotic swirl. over on side-b lexx steps up to deliver an equally stunning take on gambara immdediately setting out a more electronic lilt, the track steadily builds into a mid tempo throb as the vocals wash over proceedings, while flute and acoustic guitar make way for each other in the melody stakes. timeless sounds on both sides evoking the summer just passed

first on decks.de!!! hija de colombia is putting out its second release in the middle of november. after great dj, radio and press reactions on its first release - >loco suenos ep<, there was no need to change much. el nino andres is again the artist, but the music he provides for this releases is a step further in deepness of tech house. anton kordic, who records under the name el nino andres, provides the somophore release, a two track fusion of south american, detroit and berlin influences. title track is a intensive orchestral affair, going for full 14 minutes of drums, big piano hooks and sax layers. b side >illmatico< is a percussion monster, that builds under a catchy organ melody. the cycle repeats every 2 minutes, and tracks subtly builds layers and layers of rhythm.

intense, deep,raw and dirty tracks by marco bernardi. his first release on clone records in a while and what a record! two tracks build around unpolished rhythms and open beginning that dont reveal immediately where its going. quiet unpredictable is the a-side that slowly opens up with a sultry string and then completely bursts open with a shiny melody that is in beautiful contrast with the raw percussion. broken silence is another deep track founded on a basic rhythm and metallic detroit bass line. topped with spoken words (by keith tucker from aux88) and bleepy melodies, underlaid with a deeper sexy bassline. a track rooted in the best traditions of techno... weve played this one over and over! machine music by men!

believe it or not !! new hardfloor album ! with acid !! killer !! mastery is distinguished by the difference between being able to create something because you know about it, and creating something because you are it.hardfloor are the masters! masters of what? masters of the -sound of acid-, the style of techno they invented and infected the world with by unleashing the groundbreaking and infinitely imitated -hardtrance acperience ep- in 1992. that unmistakable groove, that pumping house bass, that swirling modulating melody, that throbbing acid house vibe and those climactic builds and breaks - a new sound for the dancefloors of the planet. yes, this is 2010 and that was 18 years ago. a lot has happened since then and music has changed

nsyde music is happy to announce their first installment for this label. daso franke a.k.a. daso shows on nsyde music his deepest soul and his irresistable sense for activating great emotions. >why try< includes a certain warmth and invites every listener to slow down and float on a streched timeline that lets time and space pass by. shown to fred p, who inmediatly fell in love with the elegiac melancholy of the track, the idea of a remix was born. fred p alters the strechted timeline to a straight forward moving one. like an unstopable train ride the track starts to build up, step by step, ending up at cruising speed when the sublime warm chords hit reade truth opens up a big space for the original melody, the percussion work and the punchy bassdrum is just the right basis for the melody to meander. getting support from the likes of keith worthy, daniel bell, basic soul unit, efdemin etc. , this is gonna be something for the heads out there!

donovans are back with >freakshow / krosscut<, >freakshow< is some kind of a cathedralistic anthem, with which they often start their dj set as this particular track can face any big tune, combining quite slow syncopated bassdrums, a killer melody, getting in your brain... >krosscut< is more a classic track from donovans, done on purpose for the dancefloor, ultra efficient, a bit fidget, naughty, the kind of nu techno we like here in citizen records ! fukkk offf & chaos in the cbd (duo from nu-zealand) are in the story too! fukkk offf gives some of his technoid skillness on >krosscut< a bit >à la fukkk offf<, then chaos in the cbd proposes us an old school house remix, using the current production tools, this will give all the music lovers a remembrance from the old days (this remix is already played by teki latex & many other frenchy!) >the french duo comes back with a bump-house bomb, hysterical breaks, extatic horn & powered bass, you got all< tsugi

after an outstanding first release apersonal music strikes again! portuguese duo cisco cisco makes their worldwide debut under the label with new singles >if you want me< and >giro disco< along a jay shepheard remix. using highly effective and addictive sampling techniques combined with their own groovy bass lines and melodies to produce these two great dance-floor-oriented nudisco tracks that will work perfect for those peaking club hours. remixing >if you want me< talented jay shepheard gives a whole new version of the track. old school techouse kicks and jays own low key melody plus the original sampled voices all together for this epic remix, feels like closing time...

new chain is the debut long-player from new york s small black. richly coloured and thickly layered, it is an absorbing, eclectic and obsessive body of work. the brooklyn group have succeeded in melting together locked and popped drum-shudder, gauzy spirographic synths and subtly contagious, half-remembered melody into ebullient bursts of evocative, subliminal and thoroughly modern pop. the songs are equally informed by the rhythmic bounce and stylistic swagger of more left-leaning contemporary radio rap and r n b as it is the submerged kaleidoscopic swirl of the early 4ad dream factory.
digital download-code included.

glaswegian producer, label owner and globe trotting dj graeme clark, aka the revenge, takes on holy ghost!s >say my name< – a song from the duos ep static on the wire that, in its original incarnation, is a lovely, smooth slice of electronic pop. the revenge re-models the single three times over, into a trio of distinct remixes all bearing his unmistakable signature. first up on the vinyl 12inch is the revenge remix, which starts out like a hollowed-out, hall-of-echoes version of its predecessor and then grows – bit by bit and synth by syth – into a gorgeous swirl. on the revenge instrumental, clark ups the disco ante, removing the vocal melody and replacing it with elements equally as compelling: a classic beat, synthesized strings, double handclaps, and an essential electric bassline

austrian musican martin brunner aka madney moon scores with two refreshing tracks. with a wonderful catchy melody, the first track >is it hot< sounds quite imposing. patrick kunkel (coccon recordings) does a very nice remix and straightens the framework. the second original mix >is it what< is a powerful contemporary techno track with a dark concise vocal. its therefore no wonder that rocco caine does his typical deep interpretation of that track. the remix sounds monstrous and gives your spoilt feet all they want and love on the techfloor.

remain 010 - shot on purpose ep has arrived in time to mark the third anniversary of the label. boss axel karakasis, on top form, signs the three magnificent tracks included which have already been favoured by many djs worldwide, including the likes of umek, blah, blah, blah.. on the main side, blue ringed is one powerful track that delivers techno in its true brilliance. both axel and remain deserve big kudos for this track, as it cleverly combines full frontal samples, slamming workout and cuts filled with breakbeat-like motifs, opening up the doors to fresh, unconventional music. shot on purpose features a composition of killer bassline, hissing hats and electro-swept analogue sounds that is well functional and delivers even to the most demanding audiences. with broken on the remain side insane rolling techno and a haunting whistle melody make up a classic theme and a winner recipe for any headliner. an absolute must-have and a guaranteed favourite! early support by : umek, the advent, cristian varela, a paul and more

>france 2< deservedly takes the headline-grabbing attention-seeking lead track position: pure mediterranean melodrama with a bold approach to gut-wrenching operatic melody that vangelis himself would be proud of. on a further anthemic tip comes the atonal melancholic vocal symphony of >voci giaga<, whose delicately constructed layers of harmonic voices build up to form something very special indeed. >h2< meanwhile is an exuberant explosion of arpeggios underpinned by an insistent analogue club groove, whilst to finish, the heady, disorientating >oceano< promises to be a key component of many a dj journey over the coming months, leaving your faithful disciples just-the-right-kind-of-lost within the cosy dancefloor bubble. already homegrown heroes in the club scene of their native italy, with the >france 2 ep< the time has come for margots 21st century krautrock message to reach out across the rest of the world.

a divers drop of hardcore beats ranging from dynamic kicks and snares to melody and all aspects in between: promo - concrete combat
have it large!

after an outstanding response from their 1st release, saobi records will be filling the worlds dance floors with four new amazing tracks by santi, released on his own label. the a side features 2 tracks with a massive deep house groove with an excellent remix from dj axel. the other side offers two tech-house tracks which combine a classic synth pad with an intoxicating voice on a silky melody ... dont miss out!

the a side come with a quality techhouse track and a lot of melody made by starbud. the b side martin rei completes this ep with a drum based techno drum

the new release from wigflex is a showcase for hizatron, one of most exciting and forward-thinking producers in spam chop s nottingham crew and, like a rave-up in a haunted house, it s dark, loud and batshit insane. executive ball scratcher is jinky and elegant until it explodes into a million glittering pieces of shimmering alien melody-box noise. at all times the insistent, pulsing beats and the thick bass stabs keep the track firmly rooted on the dancefloor, whilst its eyes and fingers lift to the stars. on >klonndyke final<, layers of battling, aggressive, organic percussion pave the way for a dirty, banging bassline and morphing, insane synth lines. constantly building, on the move and entirely unpredictable. a synth line evoking classic techno of the past is messed with on >telescope dope<, like a child melting a slug with his magnifying glass until all that remains is a scattered and horrific sludge. pummeling beats bring it together, creating a hypnotic and terrifying finale. with this release hizatron stakes a claim as one of the brightest young things in the uk electronic dance scene. with its shifting, exploratory layers of melody, thick bass and complex beats, the ep further blurs the lines between house, techno and dubstep, combining moments of iridescent beauty with raw, guttural power. a record for headphone enthusiasts and dancefloor paragons alike. watch out.

you just wouldnt write a weird piano melody, put it through all your distortion pedals then write an epic post-disco jam around it. basically that doesnt work… or at least shouldnt… but das moth (aka: tokyo-dwelling dj, producer and punk bassist tim sullivan) has provided us with proof to the contrary in his debut 12 inch release featuring >moon< and the aptly titled >wrong<. yes it works, and its genius. we wont do any more head-scratching on how to describe this release, except to say that the vinyl is an absolute must-have, also featuring proto-house workout from heavyweights kink & neville watson.

after a recent short n sweet stint on tensnakes mirau imprint irish ex-pat mano le tough reemerges on internasjonal where he first saw the light of the day as a producer with the much acclaimed warhorn. yet even with such a rather small, straightforward discography mano managed to sculpture his unmistakeably very own style fusing the deeper shades of house and techno with a strong melodic sensibility that one would never even get the faintest idea to file it under the mostly bland tech-house genre. oblique boast a perfect effective dramaturgy with slighty spooky broken melody box theme rising out of a thick mist of grinding chords before morphing into a deep acid finale. french gentlemen of distinction and many styles chateau flight toughen up the beats and throw in some african wood percussions and sparse psychedelic dub effects for a superb rhythmically multi-layered rework.